Posted on 08.02.09 3:37PM under Uncategorized
After a couple of meetings with Hollywood people, we got down to creating wheat paste posters and fine-art silkscreens at John Carr’s studio.
Images were taken from Issues 3 and 4 and combined or isolated to compose these prints. This is printed on an existing test print of another artist’s print = collabo print!
Alex, aka Alessandro, works on imperfections on the film with an exacto knife blade.
The working system in Hollywood is something like this: one person performs a task and 40 or 50 people watch him. In this case we only had 3 or 4 in the audience when John taped off the screen.
Demonstrating the roller technique for applying a medium-large wheat paste poster.
Here’s how they do it on the back lot of Universal (enter Lankershim Blvd.)
Notice the people standing around as Eva pulls on a rung on the terrace. It was supposed to break off in her hand and then (in post) cut to a stunt person falling onto an airbag. This was surprisingly difficult to do and took an hour or two.
The view of the video tap monitor. Here’s Kyle McLachlan and Dana Delany discussing a letter of great import…
With thanks to my good friend, Michael Negrin ASC, the DP for Desperate Housewives.
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