Dog Eaters

What is Art?

Posted on 02.01.16 under a fact has no appearance, art, Artist's shit, Graffiti Kings, Piero Manzoni, Redza Piyadasa

A heated rant has been making the rounds from Graffiti Kings about how most of “modern art” is crap. How Piero Manzoni’s cans of shit are literally shit. Mocking Matisse and the Turner Award winners as a load of shite. This video has been shared over 8,000 times so it has resonated among the Facebook denizens.

“Graffiti Artist For Hire” Darren Cullen aka SER “London Graffiti Artist”:

In their own words “Hailing from South London SER began his graffiti career way back in 1983, at the very birth of British graffiti; he is regarded as a UK graffiti pioneer and king. His path in graffiti started like many graffiti artists with the birth of hip hop culture in the early 80s. Exploring every aspect of the graffiti writing scene SER found himself emblazoning his name across the streets and walls of London. This led to a greater need to increase his presence to the public so began the systematic destruction of the bus, train networks and rail infrastructure across the UK.

“There then comes a point in every Graffiti artist’s life when their illegal activity becomes of great interest to the Police and local authorities. This is the time when a decision must be made as having a cell as a second home isn’t that appealing. This decision spurred SER into forming the ‘Graffiti kings’ the UK’s first professional graffiti art company and graffiti artist agency. Remaining at the forefront and cutting edge of graffiti culture, this collective of artistic individuals range from; graffiti artists, graphic and fashion designers, film directors, musicians to poets. The Graffiti Kings are a powerful visionary force when it comes to coming up with new creative ideas.”

Street art is definitely part of the ART CONTEXT, but so are so many other activities and institutions. The market place, auction houses, art schools, museums, galleries. To rant about Modern Art is like complaining about the weather. It’s history. It is what it is. It was what it was.

Last week, I visited Singapore to take in “A FACT HAS NO APPEARANCE: ART BEYOND THE OBJECT,” Redza Piyadasa, an exhibition at the Singapore National Gallery, that raised questions about the meaning of art objects and images beyond the visual. The context is what creates the perspective for meaning. Even if the image or object is a re-creation of related to the physical world.

It was also Art Week. Art Stage at the Marina Sands Bay was the biggest venue. Art for investment and high end interior decorating. It’s art, I guess. But once it hist the marketplace, it’s business.

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In its purest form, art is a process. And if the practitioner is the only one who considers what that his activity is art, is it like the proverbial tree falling in the forest? Do you need validation from society?

Well these artists have been validated, by money. And their work is expensive.

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Damien Hirst’s “Singapore,” a mixed-media piece featuring surgical scalpels had a price tag of $1 million USD.

A sampling of some of the images and objects that caught my eye, follow.

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These are the talks they held.

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